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Let me share with you what I learned. By the way, a benefit to upgrading to Lion is that upgrades only download the differences between the old and new software versions, which significantly reduce the download time. Some people are reporting problems with the update. I downloaded mine with no difficulty, however, if you have troubles wait a day and try again.

Or contact Apple Support. The day period starts when you launch the program, so you can download today, yet not work with it till the weekend without costing yourself time on the demo.

Apple also updated QuickTime with new codecs. The answers were instantaneous:. Apple is committed to the professional user. Apple is listening to user feedback and adding major new features far faster than they could do in the past. At which point, our discussion began. Using that example, the current version of OS X is Using the same convention, the upgrade moved FCP X to version 0.

In other words, Apple views this as a significant product enhancement. However, these network features should work with any network file server provided the data transfer rate is fast enough from the server to the local computer to support media file transfers, and the server supports user permissions and record-locking, which OS X Server does.

Shared media on a server has always been supported by FCP X. However, Project and Event folders needed to be stored locally. Now, media, Projects, and Events can all be stored on a server. Media can be accessed by multiple users at the same time, however Project and Event folders can only be accessed by one person at a time. In other words, multiple editors can now access the same project, however only one editor can be in the Project at the same time.

FCP X provides a simple menu choice allowing editors to move Events and Projects into, or out of, the app as necessary. As a network bandwidth thought, render files are stored in the Project folder. You might want to consider putting Events on the Server and storing Projects locally to minimize network traffic.

Just a thought…. The core of Final Cut Pro is metadata and XML is the language of interchange of this metadata from one application to another. However, the first step is XML. The new version supports both XML import and export. While this feature will be used primarily by developers, the benefits of this feature will be used by all of us. This replicates the ability to send a project to Color, with fewer restrictions and faster export.

This is a correction, as I earlier wrote that this would be supported by the entire Davinci family. Again, Apple showed a collection of media stored and cataloged in CatDV, a great media asset manager for the Mac. The whole XML transfer process took about two seconds from pressing the button to seeing the new Event with media and the Project opened in the Timeline. This was very impressive.

AutoDesk Smoke. It is not supported just yet. Atomos, I was told, is also launching an export utility for their file-based digital recorders that transfers ProRes files and metadata directly into FCP X. In fact, more than 20 companies are in the process of announcing new utilities or programs to work with the new version. As we realized at the launch, XML import and export is the critical first step to unlocking the flow of third-party applications. We spent a long time talking about Roles and Media Stems.

The most obvious is tagging audio for export to mixing, but the benefits are deeper than that. FCP X is trackless. Instead, we assign Roles, which is a special metadata tag similar to a keyword. Some Roles are assigned on import. FCP looks at the file and attempts to determine if it is dialog, effects, or music. If it guesses right, you save time. If it guesses wrong, you can easily change it.

You can create an unlimited number of new Roles. Roles can apply to video, titles, or audio. There are three default audio Roles: Dialog, Effects, and Music. All have keyboard shortcuts and you can add as many as you want. When you export, you can export all audio that is flagged with a specific Role. You can export just music clips, or dialog, or effects.

But, Roles can be a real benefit in the Project, separate from exporting. You can solo all clips that belong to a specific role.

For example, you can just listen to all dialog clips. You can highlight all clips that belong to a specific Role — for instance, display all sound effects clips. You can make invisible all clips in any combination of Roles. This is the equivalent of turning off the green Visibility light at the left side of the FCP 7 Timeline.

This is VERY cool, because now, you can hide or reveal any combination of clips that all have the same Role assigned to it. When it comes to exporting audio, using Roles we can export all our different audio stems, for example dialog, in a single pass.

Or, for multiple-language video, Roles makes exporting video in different languages simple. Turn on all the English titles and export. Then, turn on all the Spanish titles and export again. I can see all kinds of ways to use Roles in editing. According to Apple, the stems are really for delivery of final mixes either as a digital delivery or output to tape using a third party app like the upcoming Media Express or VTRxchange.

The Roles info is in the XML so a third party could use the metadata for a wide range of workflows. Apple took Roles far further than simply flagging clips for export into something that can help make sense of a complex timeline.

In fact, the process of exporting a QuickTime movie is now faster — if you are working with optimized media FCP just does a simple file copy of the ProRes in the Project to the ProRes of the export.

Also, you can export a master QuickTime file and have it automatically loaded into Compressor, while still retaining the master file. Then, both Blackmagic Design and AJA have announced products that will take the exported file and output it to tape. We can now add transitions to connected clips with a single keystroke.

What this does is both add the transition and converts the connected clip into a connected storyline. Exports are now GPU accelerated. Now, exports are significantly faster. However, in order to take advantage of GPU acceleration, you need to export in the foreground, because the GPU is shared for both exports and real-time playback of Timeline effects. An interesting sidenote: Given the technical specs of the H. Apple suggested using single-pass unless you can see a difference in image quality, at which point compress as multi-pass.

Apple released a camera import SDK so that camera manufacturers can provide support for their latest cameras without waiting for Apple to update the software. What this means to us is that we should see cameras launch with support for FCP X built-in.

For the first time ever, outside a Steve Jobs speech, Apple announced products that are coming, but more than days away. There are still some significant missing features which are not addressed in this upgrade or their announcement: Retaining In and Out points for clips in the Event Browser is undergoing a debate in Apple. So is the ability to read source timecode for clips in the Timeline.

Drop shadows for elements other than text and a few generators requires creating a custom Motion template. The ability to apply an effect to a group of clips, then modify that effect — think audio mixing — is still severely limited.

There is no out-of-sync indicator for detached audio clips that have shifted in the Timeline. There is no way to set the default project audio to stereo. The speed with which Apple was able to get it released. The fact that most of these features are of interest to pro editors; an iMovie editor is not going to care about audio stems 3.

The flexibility Roles provide as part of the editing process is really amazing. This update applies to all new purchases as well. Learn more about my FCP X training here: www. Then if you have the adobe Production Premuim suite Apple has Created the conditions to jump ship. Sorry for the confusion. Apparently, there is a lot of confusion about whether Apple will continuing developing Color.

However, as of today, they are still supporting it, so Apple tells me. It would be useful to have an update to this panel, say, end of October give a chance for the dust, and the XML to settle. But what I want to talk about, now, was in video 6 at about in — the question is asked:. One of the non-Michaels on the panel! I think this is totally, absolutely, what is going on in the future — um, between crowd sourcing and distance collaborative techniques in editing… and these are the two most exciting parts!



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When do the 90 days of the trial start? Your free Final Cut Pro trial will expire 90 days after you open the app for the first time. You will be guided through the installation process. If you’re using a previous version of the Final Cut Pro trial, you’ll be able to use this version free for. Read reviews, compare customer ratings, see screenshots and learn more about Final Cut Pro. Download Final Cut Pro for macOS or later and enjoy it on.


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Newsroom Open Newsroom navigation Close Newsroom navigation. App Store. Apple Arcade. Company News. Store News. Final Cut Pro X updated with significant workflow improvements. The new update to Final Cut Pro X streamlines remote workflows and makes editing for social media easier than ever. Today Apple is updating Final Cut Pro X when will apple update final cut pro x free powerful new features designed to enhance remote workflows and speed up editing for content creators.

Improvements in creating and managing proxy media provide editors with portability and updatf when working with large resolution formats, or when collaborating remotely.

New social media tools automate video cropping in square, vertical, and other custom sizes for popular social media platforms, and new workflow improvements enhance the versatility and performance of Final Cut Pro — making the Mac stronger than ever for all video editors and motion graphics artists.

Now, more than ever before, users are editing remotely across a wide range of locations. They can also consolidate proxy media, images, and audio to an external or /22555.txt drive. A Final Cut Pro Library can even be relinked to proxies already created for added flexibility.

Editors can посмотреть больше link to upddate media generated by third-party applications via XML. Examples include Frame. If proxy media is not available for some clips, users can adapt fiinal to display either the original file or an optimized version.

Improvements in proxy media workflows deliver portability and performance when working with large, high-resolution formats or when collaborating remotely. Using machine learning, clips in a project can now be automatically analyzed for dominant motion and intelligently cropped with Smart Conform to convert them into square, vertical, or any other sized when will apple update final cut pro x free — perfect for popular platforms like Instagram, Snapchat, and Twitter.

Transform Overscan reveals media outside freee crop boundary when adjusting scale, rotation, when will apple update final cut pro x free position, which allows storytellers жмите easily reposition the crop.

Video editors can also add a Custom Overlay to guide them when placing text and graphics within a non-landscape frame. Social media tools make cropping video in square and vertical sizes incredibly easy when producing content for platforms like Instagram and Snapchat. Editorial Workflow Нажмите чтобы перейти Video professionals can now work even more efficiently with a series of new workflow improvements in Final Cut Pro.

Editors can prp apply audio crossfades on adjacent clips in one simple step, use a new context menu to close a project or clear timeline history, and sort clips and projects in List View according to the last date each file was modified. When working with degree video, editors can quickly stabilize stereoscopic 3D video and view footage in the degree Viewer with separate streams for each eye.

They can also start working immediately with remote content while it is downloading in the background from web-based asset management applications, such as the Frame. Audio crossfades can be applied to adjacent clips in one easy step.

Updates to Motion and Compressor Motion now offers professionals a whole new range of possibilities for creating stunning effects and graphics. Creators can import third-party 3D models or when will apple update final cut pro x free from a built-in library of 3D models in the USDZ format for use in titles, generators, effects, and transitions. They can even use behaviors or keyframes to manipulate the position, rotation, как сообщается здесь scale of a model, and take advantage of existing replicators, emitters, lights, and cameras for further creativity.

Editors can customize outlines by animating their offset, applying multiple stroke filters to the same object, or using the gradient tools to create multiple strokes with different colors. This enables motion graphics artists to create dazzling animations and effects while адрес страницы the time-consuming work of outlining elements by hand. Motion now offers support for 3D objects, adding visual impact to graphics and helping editors increase the quality of their videos.

Compressor adds support for custom LUTs so a creative look can be added to a clip as part of the encoding process. Pricing and Availability.

Final Cut Pro Motion 5. All users can download a finak trial of Final Cut Pro X. For more information, please visit: apple. Share article. Images of Final Cut Pro Testing conducted by Apple in August using 2.

Prerelease Final Iwll Pro Performance will vary based on system configuration, media type, and other factors. Press Contacts Apple Media Helpline media.

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