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Added control surface support for Novation Launchkey Mini. It looks like you could try installing a newer version of the Epson drivers and then uninstall them with something like AppCleaner. Note: see the updated script at the very bottom of this post to automatically remove non-default kexts.
 
 

Ableton live 9 suite quit unexpectedly high sierra free.Live 11 Beta Release Notes

 

Similarly, the clip’s main lane is now scrolled into view when renaming a main lane clip, whereas before, the entire track including take lanes and automation lanes was scrolled into view.

A controller that sends high-resolution pitch bend can now be mapped to the scene selector and the snapshot selector. Plug-in window titles now update when changing the name of the containing track.

AU plug-in devices are now displayed as disabled if plug-in creation fails. Fixed a bug that could cause a crash when repeatedly adding and removing notes from a held chord when using the Arpeggiator device with the Hold parameter active. Previously, Live would crash when loading a one-sample length file into the Hybrid Reverb device and adjusting the Size parameter.

Fixed an incorrect error message that appeared when trying to insert a non-audio device into an Audio Effect Rack. Fixed a crash that could occur when undoing in a Set that had previously been restored after another crash. Previously, Live’s crash recovery would silently fail if the undo history contained an empty band file e.

Previously, when clicking on a half-hidden track header to select it, Live might sometimes copy or move the track. Fixed crashes and error messages pertaining to corrupt documents that occurred when loading some Live Sets. Fixed crashes that occurred after deleting a device while a take lane clip has an envelope for that device. Fixed a crash that occurred when renaming a take lane inside of a linked track and then pressing Tab. Fixed document corruption and subsequent possible crashes or other issues when restoring a Set after a crash under certain circumstances.

Zooming Arrangement tracks via the Max for Live Application. Pitch Bend, Sustain, Expression, Mod Wheel, and other MIDI controllers that one would expect to reset to a default value will now do so at the beginning of clips that do not specify them. Note: for users who intentionally use the previous behavior, this change will make their Live Sets behave differently. Therefore, the behavior is disabled by default. Improved Live’s performance when a very large amount of notes are visible in the Velocity or Chance Editor.

Fixed a bug that caused MIDI notes in a selected area to get deleted even if the notes themselves were not selected when pressing Delete. Fixed a bug where the per-note breakpoint editor would not be focused when clicking on an expression curve in the Pressure or Slide lanes, when the Note Expression tab was visible.

When the Note Expression tab is open and no note is selected, double-clicking on the Note Ruler now correctly zooms to all notes including their pitch-bend curves. Fixed an issue where a note could have per-note events behind the note end when recording a transposed MIDI clip into the Arrangement. In the unlikely event that an extremely high amount of MPE control change messages come in, Live will no longer crash, and all notes will be stopped. Previously, when the Note Expression tab was open, moving the mouse from an unselected expression curve to a selected expression curve could cause the highlight to become stuck.

The Insert Time and Delete Time commands are no longer available when editing per-note expression breakpoints. Fixed a bug that could cause per-note expression to play incorrectly after a note-editing action resulted in an existing note becoming shortened.

Fixed an issue where undoing a per-note breakpoint editor change while the breakpoint editor was not open would not redraw the expression curves.

The Duplicate Time command is no longer available when editing per-note expression breakpoints. Fixed a bug where the Duplicate command would truncate the original note when duplicating the selected note while working in the per-note expression breakpoint editor.

Fixed a bug where Follow Actions were not scheduled as expected, under certain circumstances. Fixed a crash that occurred when pressing the [Space] or [Tab] key after clicking on Track Status Display in Session View if a clip in Arrangement View was being played.

Previously, exporting audio might start single-threaded rendering before switching to multi-threaded rendering after a while. This could impact render performance significantly for Live Sets that benefit from multi-threaded rendering.

The Library. Fixed a crash that occurred in certain scenarios if two instances of Live were running at the same time. The functionality of the Oxygen Pro control surface script has been drastically changed. Clicking the triangular toggle button in the Clip View’s title bar shows or hides controls previously found in the Launch box, including Launch Mode, Clip Quantization, and Follow Actions.

Introduced comping in the Arrangement View. Comping makes it possible to pick the best moments of each recorded performance, and combine them into a composite track. You can record multiple takes of a musical performance without stopping recording. Live will then create and organize individual takes from this recorded material, allowing you to piece your favorite parts together. You can also drag samples from your library and use comping as a creative sample-chopping tool.

When adding a take lane via the Create menu, the take lane will be inserted after the selected lane. Otherwise, if a track is selected, the take lane will be inserted after the track’s main lane. Inserting take lanes also works on multiple selected tracks simultaneously. Take lanes are hidden by default. Take lanes are only visible when Automation Mode is disabled. Selected material in take lanes can be placed in the track’s main lane by pressing the “ENTER” key or via a take lane’s “Copy Selection to Main Lane” context menu entry.

In Draw Mode, selected take lane material can be placed in the track’s main lane in one single gesture by clicking, dragging and then releasing the mouse. It is also possible to quickly cycle between takes within a time selection by single-clicking on a take lane and immediately releasing the mouse. When enabled, clips in the auditioned take lane will become audible and displayed in their full color, and all other lanes will be muted.

Take lanes from different tracks can be auditioned at the same time, however only one take lane per track can be auditioned. If the time selection or lane header selection stretches across multiple lanes on the same track, the last selected lane will be auditioned.

For every Arrangement clip, Live will highlight its source material in a take lane by displaying it in full color, while dimming all unused take lane material. This makes it easier to track the recorded material that the clip originally came from. Source highlights will only be shown as long as the positions and the clip properties are matching. Highlighted regions on take lanes can be resized to adjust the split point between two adjacent parts of a comp by dragging the edge of the highlight.

At the right side, “Root Note” and “Scale Name” choosers allow setting a root note and scale for the selected clip s. When a selected clip has Scale Mode enabled and a scale is selected, notes belonging to the scale are highlighted in the piano roll. By default, key tracks belonging to the selected scale are highlighted in the MIDI Note Editor, and the root note is indicated by a prominent highlight in the piano roll.

When a key track height is low enough, this triangle will disappear. When Focus Mode is disabled, “Scale” is enabled and will fold key tracks according to the scales of all clips in the selection that have Scale Mode enabled.

The old Chorus, Flanger, and Phaser devices have been deprecated. Updated the appearance of the Electric device’s UI. The “Tine” and “Tone Bar” parameters are now consistently named. Introduced “Chorus-Ensemble”, a new audio effect device for Live.

Chorus-Ensemble provides three different effect modes:. Classic is a thickening chorus effect. A high-pass filter allows removing the chorus signal from low frequencies. The width of the chorus signal can be adjusted; this is useful for complex mixing tasks. The feedback signal can be inverted, which results in a “hollow” sound when combined with high feedback values.

Ensemble is based on and shares controls with the Classic mode, while adding a third phase-shifted delay line for a thicker chorus sound. Vibrato applies stronger modulation than a chorus to create pitch variation. The shape of the modulation waveform can morph seamlessly from a sine to a triangle, and be used to create well-known “police siren” sounds.

Global controls allow setting the modulation rate and amount, output gain, and harmonic saturation via the “Warmth” parameter. Introduced “Phaser-Flanger”, a new audio effect device for Live.

Phaser-Flanger combines the functionalities of the Phaser and Flanger devices into one, as separate effect modes. The Phaser mode has a new, lusher sound with increased frequency and modulation ranges, while the previous Earth and Space modes have been replaced with more expressive parameters. Also included is a new Doubler effect mode.

Upgraded the Redux device. New parameters allow creating a wider range of sounds, from harsh distortion to digital and aliasing artifacts, through to warm and fat 8-bit sounds. Jitter adds noise to the downsampling process. A Shape parameter allows transforming the quantizer’s curve. Introduced “Spectral Resonator”, a new audio effect device for Live. Based on spectral processing, Spectral Resonator uses spectral resonances and pitched overtones to add tonal character to any audio source.

MIDI sidechain parameters allow processing any material in key with its surrounding musical elements. Spectral Resonator offers several spectral processing types on the input signal, including spectral filtering, spectral chorus, and granularization.

Introduced “Spectral Time”, a new audio effect device for Live. Spectral Time combines time freezing and spectral delay effects in a single inspiring device. The freeze and delay effects can be used together or independently, allowing for a wide range of possibilities, such as sustaining any sound infinitely, or combining delays with time-synced fade transitions.

Live’s Status Bar will now indicate when an update for Live is being downloaded. Once it is downloaded, the Status Bar will state that Live must be restarted in order to apply the update. It is possible to change this default behavior, so that Live will first ask for permission before applying a new available update.

The next time an update for Live is available, the Status Bar will display buttons for choosing whether or not to apply the update. Live 11 Release Notes Bugfixes: Live no longer hangs when opening a dropdown menu while Grammarly is running.

Clip borders are now drawn in an opaque color to improve visibility. Updated the software texts for the Collision instrument. The clip names of frozen take lane clips now appear as expected in Draw Mode. Extending an unwarped clip past the original clip end now functions as expected. When Draw Mode is enabled, grid lines will appear as expected in take lane clips. The time selection of folded tracks in Automation Mode now appears as expected.

Fixed a bug that caused loud audio spikes in Wavetable under rare circumstances. Scrollbars appear as expected when a long list of items is displayed. Fixed a crash that occurred when opening Flux:: VST2 plug-ins. Arrangement View Improvements You can use the left arrow key to navigate from an automation lane or take lane to the main track, this will fold the lanes as well.

Capture MIDI In the first captured MIDI clip in an empty set with the transport stopped , if the detected loop is eight bars or less, the first played note is considered the start of the loop. The Pitch dial is now smaller and the Gain slider has been enlarged. Interface You can use the left and right arrow keys to switch between radio buttons anywhere in Live.

Updated various info texts. Updated some Help View lessons. Max for Live Updated the bundled Max build to version 8. Error reporting in the Max Window is more consistent. Four new theme colors are available in Max for Live. Multi-Clip Editing Time selection interactions, note selection interactions, and new note editing options have been added to multi-clip editing: Time in the MIDI Note Editor can be selected across loop and clip boundaries.

Wavetable: A context menu option for Hi-Quality mode has been added to the Wavetable device. Updated some parameter names for the Chorus-Ensemble device on Push 2. Session View Improvements Using the left and right arrow keys to navigate the Session View no longer skips return tracks, if they are visible. Multi-selecting scenes now behaves the same as multi-selecting clip slots. Setup To avoid incompatibilities, you will be asked to save Live Sets created with an older version of Live as a new file in Live Bugfixes: Live Bugfixes Devices that use beat sync divisions now remain in sync when the device is re-enabled during playback.

The undo text for changed clip colors has been corrected in the Edit menu. Renaming take lanes in linked tracks works as expected. Folded clips with long fades appear as expected. Fixed an issue that caused clip fades to reset when resizing adjacent clips. E-Piano Wurli. Fixed an issue that caused auto-updates to fail on certain computers on Windows OS.

Fixed an issue that caused Push to get stuck on the logo screen. Fixed a bug with the Expression Control device. Key events keep working when a selected Max for Live device becomes invisible. Mapped waveforms in the LFO device appear as expected. Clip View When transposing an unwarped audio clip: The time ruler below the waveform will change to show the accurate amount of seconds in the waveform.

Comping When choosing a take lane for recording, Live now uses the first take lane that provides enough space. The Device Activator button can be controlled.

Mixer Control: An unlimited number of Tracks can be controlled. Track Mute, Solo and Selection can be controlled. Follow Actions When transposing an unwarped audio clip, the position of the Follow Action marker will change to keep in sync with the playhead and the actual beat-time of the Follow Action. Live now has improved performance in certain scenarios. Wavetable: When the transport is stopped, any hanging notes in the Wavetable device will now be stopped, as in other Live instruments.

Session View Making a selection or multi-selection using keyboard navigation in the Session View’s scene area now works as expected. Bugfixes Arrangement View Previously, reactivating a take lane selection when Draw Mode was enabled would create a flickering effect. Recording auto-quantization now applies to take lane clips as well as main lane clips.

Arpeggiator: Fixed a bug that could cause a crash when repeatedly adding and removing notes from a held chord when using the Arpeggiator device with the Hold parameter active. Collision: Fixed a regression that resulted in missing parameters in the Collision device. Hybrid Reverb: Previously, Live would crash when loading a one-sample length file into the Hybrid Reverb device and adjusting the Size parameter.

Interface Improvements Fixed an incorrect error message that appeared when trying to insert a non-audio device into an Audio Effect Rack. Corrected the Edit menu entry text for undoing a clip color change. Link Fixed a bug where Live would not accept tempo changes from Link peers in some cases. Navigating with the Tab key once again works as expected when renaming scenes. Setup Previously, exporting audio might start single-threaded rendering before switching to multi-threaded rendering after a while.

Improved shared Library folder setup when installing Live in multi-user environments. It is now possible to rename multiple selected tracks simultaneously. Clip View The Sample tab’s Clip Gain control has been changed back to a vertical slider, and it has been repositioned above the Transpose controls. The Sample tab’s Reverse button now shows an icon instead of text. The Sample tab’s Reverse and Edit buttons are now positioned next to each other.

Added a Pitch dial to the Sample tab, which enables shifting an audio clip’s pitch in semitones. The Transpose controls now appear as adjacent slider controls, positioned beneath the Pitch control. When multiple audio clips with different Clip Gain values are selected, the value range is shown with split triangle handles on the Clip Gain slider. Added some visual refinements to the Clip View tabs. Follow Actions The Follow Action Chance slider now displays a split triangle instead of just a black bar when it is showing multiple different values.

Interface Updated various Help View lessons. Updated some Japanese and Chinese info text translations. The Overload Indicator is disabled by default for new Live 11 installations.

Live’s performance is improved when deselecting many clips at once. The background color of lane headers is now consistent with the Notes tab. Clicking on a lane with a standby selection now selects that lane instead of collapsing the time selection. When the Expression tab is open, using the “Zoom to Clip Selection” command or “Z” key shortcut now adjusts the zoom level according to pitch bend values contained in the time selection.

It is now possible to clear all per-note Pitch, Slide and Pressure expression envelopes of a note at once by using the “Clear All Envelopes” entry in the context menu of the per-note expression breakpoint editor.

Changing the foreground clip from the Clip View updates the highlighting of the track in both the Session View and Arrangement View and the scene corresponding to the new foreground clip. Clicking on a clip’s multi-clip loop bar in the Clip View updates the highlighted track, even if this clip is already the foreground clip.

Plug-in devices now look similar to built-in Ableton devices when disabled. Note: this is only visible in the system’s CPU monitor, not in Live’s audio processing meter.

When low polyphony and unison voices are set, less CPU usage should be shown. Wavetable: Added support for Drum Rack choke groups to the Wavetable device. Updated the notification style for scenes, and updated the scene name visualization to include the absolute position, tempo and time signature on Push. Adjusting multiple encoders while recording automation now creates less undo steps on Push 1 and 2.

It is now possible to rename multiple selected scenes simultaneously. In the Session View’s Track Status display, the remaining play time of an unlooped clip now always displays the seconds with two digits e. Control Surfaces Added control surface support for the Roland Fantom. Specifically: The Rewind and Fastforward buttons will now rewind and fastforward the Arrangement position.

Turning the Encoder will now scroll the Session frame up and down. Holding the Encoder down and turning it will scroll the selected Scene up and down. Fixed an issue where the Session frame was visible even when the hardware was not connected. Fixed a crash that could occur when restoring the Arrangement View’s zoom state using the “Z” keyboard shortcut after deleting a take lane. Fixed a crash that could occur when clicking in a track’s main lane after track content had been selected during recording, under certain circumstances.

Previously, mixer controls in linked tracks would still be linked when selecting a take lane, after multiple track headers had previously been selected. Arrangement clip headers no longer have an uneven appearance. Previously, an Arrangement clip header would not be displayed as having a standby selection when the focus was moved away. Previously, it was not possible to unlink all tracks when some tracks were nested inside a Group Track.

Fixed a crash that occurred when inserting a take lane. Previously, the Operator device could crash or calculate inaccurate frequencies when its Fixed Mode and Spread parameters were enabled.

Switching between oscillator effects in the Wavetable device now changes labels within each matrix as expected. Previously in the Spectral Resonator and Spectral Time devices, gaps would sometimes appear in the Spectrogram at high frequencies. A Max for Live device’s background color now updates correctly after moving that device between tracks. Fixed two bugs in the MPE Control device: The Pressure curve would not follow Live’s themes when the device was instantiated while using the Dark theme.

The Launch Macro Variation button can be mapped as expected again. Fixed a crash that could occur when dragging an empty frozen MIDI clip to an audio track. Fixed a crash that could occur when freezing a track after recording, under certain circumstances. Fixed the alignment of the Launch text label that appears in the expanded view of the Clip View’s Clip box.

Previously, when copying a folder with audio files to another folder which was already in Places, the files would not appear in the browser. Previously, when saving a Live Set file such as a clip or preset in the root folder of the temporary current Project, that file would not be copied over to the final destination Project.

Previously, resizing the Device View, as a result of switching to the Arrangement View, while no clip was selected would result in automation lanes having the wrong height when switching back to the Session View. Previously, using Tempo Follower and Tap Tempo at the same time could create a conflict with Live’s tempo.

To prevent this, Tempo Follower is now disabled as long as Tap Tempo is active. Previously, the waveform of an audio clip in the Detail View would be displayed in a dimmed color, although that clip was not audible while Audition Mode was enabled.

Using pinch gestures to zoom once again works in expression lanes. Previously, the vertical zoom level and scroll position in the MIDI Note Editor were sometimes wrong when switching from the Expression tab to the Notes tab.

It also cannot be minimized anymore. These changes highlight that the second window is not a stand-alone window, but secondary to the main window. When switching virtual desktops, floating windows are no longer shown on the new virtual desktop. When using virtual desktops, floating windows e. Fixed a bug that enabled performing certain actions e.

Previously, the selection on an auditioned take lane would look different when Draw Mode was active. Previously, adding a device via double-clicking could create two undo steps. Fixed a performance regression when loading a Live Set with many devices. Fixed an issue where a Rack’s selector buttons for chains and devices would swap places, under certain circumstances.

Fixed various minor UI alignment and sizing issues that affected other elements within Racks. Fixed a spacing issue in Drum Racks. In all Racks, the Rand and Map buttons now always align with the right border of the Macro Controls section, and they appear as “R” and “M” when six or less Macro Controls are shown. Fixed a bug that generated false disk overload indications, even when no sample dropouts occurred.

Previously, Link would not become disabled when opening a new Set. Fixed a crash when unfolding a nested Group Track containing a selected clip. The Pitch control in the Clip View’s Sample tab once again works as expected when multiple clips are selected. The Clip Activator button once again works as expected. Previously, after selecting a Group Track header, the track highlight would sometimes immediately jump to a track within that Group Track. Max for Live Sending a getpath message to a live.

Sending a getpath message to a live. Replacing a licensed Max for Live device with an unlicensed one no longer creates a “fake” device that informs the user of a missing license. Also, it is no longer possible to inadvertently trigger Temporary Demo Mode when attempting to perform another action that breaches any current limitations, in cases where a “fake” device was created.

When enabled, the Scale aka Fold to Scale button becomes disabled instead of grayed out whenever folding to scale is not possible. Previously, when the Expression tab was visible, making a rectangular selection of a single note in the MIDI Note Editor would incorrectly set the focus to pitch bend expression editing. Fixed a bug that could cause notes to be affected by expression parameters including pitch bend from previous notes.

Previously, when the Expression tab was open and the MIDI Note Editor was folded, zooming to selected notes would sometimes scroll out of view. Session View When using a device parameter’s “Show Automation” or “Show Modulation” context menu command while a Session clip is playing, Live now switches to the Envelopes tab in the Clip View when no clip is selected. Shift-clicking on an empty track slot in the Session View no longer changes the scene and track highlighting.

Previously, the Follow Action Time marker was sometimes displayed at the wrong position in unwarped clips. Improved the text contrast in the Session View’s Track Status display for unlooped clips. Previously, when triggering a scene with assigned Follow Actions after stopping Live’s transport, that scene’s tempo was not respected. The “Stop” Follow Action now works as expected for scenes. Setting the scene tempo or time signature from the Python API Max and Push will enable the respective scene control and display the correct value being set.

The Live manual has been updated. The name consists of the track name without the leading index number , and an index of the take number. Upon creating a MIDI clip in the Arrangement View, the grid will start at a fixed sixteenth-note setting, as opposed to narrow-adaptive. A new “Create Crossfades On Clip Edges” command creates four-millisecond crossfades on clip edges, when either a single or multiple adjacent whole clips are selected, or when a time selection contains more than two adjacent clips.

Also, when a track’s main lane is selected, only that lane’s height is affected. Multiple selected automation lanes or take lanes can be resized by dragging the resize handles with the mouse.

When holding the “ALT” modifier, all selected automation lanes or take lanes are resized simultaneously, similar to tracks. A previous lane header selection is preserved after folding and immediately unfolding tracks again or when toggling Automation Mode.

When using the Zoom to Time Selection command in the Arrangement, Live now only zooms horizontally at first. When using the command a second time without changing the time selection , Live then zooms vertically as well.

Upon using the command a third time, the Arrangement returns to the first vertical zoom state. Automation Updated background and text colors for lane headers and clip backgrounds in Automation Mode.

Automation lane headers are now selectable with the mouse. Clicking on an automation lane header now highlights that lane. Clicking on a selected lane’s Remove Automation Lane “-” button now removes all selected automation lanes. Clicking on an unselected lane’s Remove Automation Lane button removes only that lane. Browser Improvements A “Templates” label has been added to the Categories section of the browser. A “Grooves” label has been added to the Categories section of the browser.

It shows a flat list, similar to that within the Clips and Samples labels, of all Grooves from the Core Library as well as the User Library. Devices in the Audio Effects label are now grouped into folders. The nodes can be expanded to reveal presets. Presets outside of matching virtual folders are shown below the last virtual folder. Drum Synth devices are now grouped in their own folder within the Instruments label.

The Clip Gain slider has been moved below the Transpose controls, and is now a text slider control. The Transpose control now has a dial control for transposing in semitones, and a text slider control for fine-tune in cents previously named “Detune”. Removed the Clip Color chooser from the Clip box. It is now possible to rename or change the color of a selected clip via the Clip box’s context menu.

Comping Introduced comping in the Arrangement View. Recording in the Arrangement View automatically creates a clip in a take lane. Take lane clips can be edited like other Arrangement clips e. They can also be copied to Session View clip slots by either copying and pasting or dragging and dropping. This also works when there is a selection of clips or time across multiple tracks, and when take lanes are hidden. Note: empty take lanes are ignored. Take lane headers are selectable with the mouse.

Clicking on a take lane header highlights that lane. Multiple selected take lanes can also be renamed simultaneously. Selected take lanes can be reordered within their track via dragging and dropping. Take lanes can be selected and renamed during recording.

Take lane headers have a default info text. The info text of take lane headers can be edited using the Edit Info Text command from the context menu or the Edit menu. Control surface scripts that can control multiple banks of device parameters can now control the second set of eight Macro Controls i. Follow Actions Follow Actions controls can now be shown or hidden via the triangular toggle button in the title bar of the Clip View. Follow Actions can now be assigned to scenes via the new Scene View.

Clip Follow Actions will continue to run when a scene Follow Action is created or scheduled, however scene Follow Actions take precedence when triggered. When disabled, no Follow Actions will occur in the Live Set, which allows editing running clips while preventing playback from jumping to other clips. These values can be modified using a new slider control. This marker also allows dragging the clip’s Follow Action Time. Added a new “Jump” Follow Action to clips and scenes.

This switch is set to “Linked” by default. When the switch is set to “Linked”, the Follow Action is triggered at the end of the clip or after the number of loops set in the “Follow Action Multiplier” field, and the Follow Action Time marker but cannot be moved. When the switch is set to “Unlinked”, the Follow Action is triggered after the clip has played for the duration of the Follow Action Time.

Added a “Create Follow Action Chain” command to the context menu of Session clips, making it possible to set up Follow Actions so that all selected clips play in a loop. The clip selection does not have to be contiguous. The percentage shown on the meter indicating either the average or peak CPU level can be selected from the CPU meter dropdown menu.

The Overload indicator previously named the “Disk Overload” indicator in the Control Bar has been redesigned, and will light up if a CPU overload has occurred. Note: CPU overloads usually produce audio dropouts. Each track shows a CPU meter with six rectangles that light up to indicate the relative impact of that track on the CPU level of the current Set.

Freezing or removing devices from the track with the largest impact will usually reduce the CPU load. This palette makes clips and tracks easier to tell apart with a deuteranopia, protanopia or tritanopia color vision deficiency. On Windows, the progress of dialogs such as the Export Audio dialog is now displayed in the taskbar. Progress dialogs now show their progress value below the bar, for easier reading in all Themes. The scrollbar in the Help View now matches the colors of the scrollbar in the browser and the Groove Pool.

The vertical zoom level on the piano roll is now increased when dragging horizontally on the Note Ruler. Added an “Arm Track” command to the Edit menu. If multiple tracks are selected, the command appears as “Arm Tracks”. If the selected track is armed, the command is replaced with “Disarm Track”. It is now possible to arm selected tracks using the “C” shortcut key.

The Groove Pool now opens automatically when: loading a groove file from the browser by double-clicking or pressing the Enter key adding a groove to the Groove Pool e. Linked-track editing makes it possible to use comping workflows and other phase-locked editing operations on multiple tracks at once. Any tracks in the Arrangement View can now be linked so that their content can be edited simultaneously. There can be multiple instances of linked tracks in a Set, however each track can only belong to one of these instances.

Linked tracks are indicated by a “link” icon button in their headers. Clicking on a track’s link icon selects all tracks that are linked together. Hovering a track’s link icon highlights tracks that are linked together. Tracks can be linked by selecting them and then choosing “Link Tracks” from the context menu. To link tracks inside a Group Track, right-click on the Group Track header and choose “Link Tracks” from the context menu.

To unlink all tracks in an instance of linked tracks, right-click on the link icon button to select all tracks in that instance and open the context menu, and then choose “Unlink Track s ” from the context menu. When unlinking tracks inside a Group Track, is it also possible to right-click on the Group Track header and choose “Unlink Track s ” from the context menu.

To link an additional track to an instance of linked tracks, first click on the link icon button, to select all tracks in that instance. To remove one or more tracks from an instance of linked tracks, select the corresponding track header s and choose “Unlink Track s ” from the context menu. Any subset of linked tracks, or a mix of linked and unlinked tracks, can be linked together by selecting their track headers and clicking the “Link Tracks” command in the context menu.

The following controls and operations are synced on linked tracks: Track editing and time selection operations e. When one or more track headers are selected, pressing “Shift” and clicking on a track’s link icon will select all tracks from the originally selected track to the newly-clicked track, as well as all linked tracks belonging to the linked track’s instance.

Matching fades on linked tracks can be adjusted relative to their original values. Max for Live Improvements Updated the bundled Max build to version 8. The context menu of the controlled parameter now provides a “Go to Controlling Device” option. A parameter that is controlled or automated by a Max for Live device will no longer incur a one-buffer delay in the signal sent by Max for Live, if the device containing the controlled parameter is positioned later than the Max for Live device in the device chain.

The sample rate of a Sample loaded in Simpler. The slices of a Sample loaded in Simpler. A Clip or Sample’s warp markers. Adding or removing Macro Controls in a Rack. Macro randomization. Macro Control variations. The Live Set’s Groove Pool.

A Groove’s properties. When editing multiple clips with different key and scale settings, any foreground clip with Scale Mode enabled now updates the global settings that are used to initialize the next created clips, as well as Push’s key and scale. Fixed a small bug with multi-clip editing where some notes would not be selected properly in certain scenarios. On Push 2, the Frequency and Width parameters for the Corpus device are now displayed correctly.

Consolidating audio clips no longer takes additional time when plug-ins are on corresponding return tracks. Navigation behavior between take lanes, clips, scenes, and tracks is now more consistent. Fixed an issue that caused tracks that were copied and pasted into an automation lane or take lane in Arrangement View to be added to the last track position.

Fixed a bug that would cause Live to crash or hang when unplugging the audio output device during export. Duplicating time between two time signature change markers no longer adds an unexpected duplicate time signature change marker in the Arrangement.

Fixed a crash that sometimes occurred when selecting tracks that contained missing VST2 plug-ins. Fixed a crash that happened when adding a preset of an unavailable plug-in to the end of a device chain. In addition, the sensitivity of the encoders has been increased for both control surfaces. Setting a property on a live. Note: The beta auto-update from If you are on an M1 machine, please download the universal installer from Centercode. You can use the Arrow Left key to navigate from an automation lane or take lane to the main track, this will fold the lanes as well.

You can also use the Arrow Left key to navigate from tracks in a group to the main Group Track. When viewing Sets in the browser, you will see a Devices icon for device chains on a track that contain at least one device.

When you expand a Live Set in the browser, either from the Current Project folder, Templates folder, or a folder of Sets you have added in Places, you can unfold the tracks in the Set to reveal their device chains. These chains can then be moved into the current open Set using drag and drop or by double-clicking on the chain. The Device settings from the original Set are retained but any previously recorded automation is not.

In the first captured MIDI clip in an empty set with the transport stopped , if the detected loop is eight bars or less, the first played note is considered the start of the loop. When only one note is played in the first captured MIDI clip in an empty set with the transport stopped , the loop boundaries are set to the note start and end, and the tempo is accordingly calculated, resulting in a one, two, four, or eight bar loop.

This is particularly useful when playing a rhythmical sample with a single MIDI note. In Clip View, all clip properties are now displayed in tabs instead of additional panels. When Clip View panels are arranged vertically, the individual tabs e. Clip, Audio, Envelopes, etc can be collapsed and expanded using the arrow icon to the right of the tab header.

Sample information for audio clips e. Clip View panels can now be accessed using keyboard shortcuts. When multiple audio clips are selected, the sample properties sample rate, bit depth, and channel count for all samples will be displayed in the Clip View.

In Clip View, you will also see the total number of samples selected. Splits are created on the updated clips in certain cases when the relation between other highlights on different clips change. The horizontal lines that separate multiple take lanes match the color of the clips that are in those lanes.

When renaming multiple tracks or take lanes using the context menu option, you will see the edit field when you right-click on a track or take lane. When navigating between devices on a selected track with the PreSonus ATOM SQ, you can now scroll between devices by holding the navigation buttons down. If an invalid CC, note, or channel value is used in a UserConfiguration.

By default, Live will not display the Current level; it must be enabled from the drop-down menu. You can use the left and right arrow keys to navigate radio buttons anywhere in Live. If you are navigating radio buttons on a device that is inside of a Rack with the left and right arrow keys, you can get back to moving between devices in the Rack using the left and right arrow keys by hitting the ESC key. In Session and Arrangement View, the Monitor radio buttons now have a default state that can be restored.

Deactivated device title bars are easily readable in all Live Themes, even if the device is selected. An error message will be displayed in the status bar if an auto-update cannot be downloaded. When enabled, certain MIDI control message types that are not automated for a given clip will automatically reset at the start of a new clip.

Note: for users who intentionally work opposite to this behavior, enabling this change will make corresponding Live Sets behave differently. In Live This will select only those notes that have the provided IDs. When Max fails to load, an error message will be displayed that contains a link to a Knowledge Base article that explains potential causes for the issue and steps to take to resolve it.

Dynamic Colors: ability to use a name which references a dynamic color follows Live or Max color themes. You can use the settings to:. Time selection interactions, note selection interactions, and new note editing options have been added to multi-clip editing:. Note editing e. In Arrangement View, it is possible to draw notes in background clips without first changing the foreground clip. Notes can also be drawn continually across clip boundaries, except in Focus Mode.

When using a pen to draw notes with “Draw Notes with Pitch Lock” enabled, any notes that cross a loop boundary are no longer deleted. When more than 64 clips or eight tracks are selected in Arrangement View, the MIDI Note Editor is no longer available for multi-clip editing to prevent potential performance issues. Introduced “Shifter”, a new audio effect in Live Standard and Suite. Shifter is a multi-purpose audio effect for pitch shifting, frequency shifting, and ring modulation.

The pitch or frequency of incoming audio can be tuned using Coarse or Fine parameters and further adjusted with a Tone filter and Window parameter. Introduced the Align Delay device, which is now included in the set of Max for Live devices that come with a Suite license, or a Standard plus Max for Live license.

The Cytomic Filters, which are used in the Wavetable, Echo, Simpler, Sampler, Operator, and Auto Filter devices, have been updated and improved in stability, sound and performance.

As of An update to the Softtube libraries may cause subtle sound changes in the Amp and Cabinet audio effects. Enabling it reduces the latency of the dry signal to zero instead of syncing it with the output of the effect. This option is useful when playing a live instrument through Spectral Time and monitoring the output. A context menu option for Hi-Quality mode has been added to the Wavetable device.

When Hi-Quality is off, Wavetable modulation is calculated every 32 samples. Low-power versions of the Cytomic filters are also used to further reduce CPU. Please note that as of However, any user presets or Live Sets created previously will still load Wavetable in Hi-Quality mode to ensure sound consistency with earlier Live versions. Subtle sound differences may occur when Hi-Quality mode is enabled.

Also some parameters for Hybrid Reverb on Push 2 have been rearranged for easier navigation. Selecting scenes no longer highlights the Master track, instead the scene itself is highlighted. Navigating from the last clip slot to a scene with the Arrow Right key will highlight the Master track.

You can click on a scene number or the Master track header to access the Master track and Scene View panel. Devices that use beat sync divisions now remain in sync when the device is re-enabled during playback. Previously, when merging a device chain containing no instrument with another device chain containing an instrument, the instrument would be deleted from the merged chain.

Live no longer moves samples from a temporary project to the final saved project folder. Fixed a bug that created file path issues with the Live Recordings temporary folder if it was also saved and renamed in Places. Previously, if a plugin was grouped into an Instrument or Drum Rack, the MPE settings of the plugin were not retained when the Rack was saved as a preset.

Fixed a crash that occurred if non-supported MPE data e. Fixed a crash that occurred when clicking on a parameter in Live and adjusting the same parameter using an encoder on Push at the same time. Live would crash if undo was selected twice after duplicating and moving the track. When highlighting an area of a take lane using Draw Mode, the clip name appears as expected. Plug-ins that cannot be loaded appear with a standard device background that includes a more detailed error message.

In Arrangement View, the dialog box that appears when multi-clip editing is no longer available because more than eight tracks are selected appears as expected. When several audio clips with different pitch values are selected, you will see the range of values for each clip highlighted in blue on the Pitch dial in Clip View.

Fixed two bugs that caused the time selection to not be updated as expected when editing several clips compared to editing a single clip. Selected parameters of a Max for Live device can still be controlled by key events even if the device is no longer visible. Live 11 Beta Release Notes Fixed a crash that sometimes occurred when loading a plug-in that could not instantiate its presets. Improved Live’s performance when many clips are selected or deselected.

Fixed a crash that occurred when plug-in pop-up dialog boxes appeared as a plug-in or preset was being loaded. Fixed a crash on macOS that occurred when closing a video window in fullscreen mode by double-clicking on the window.

Fixed a crash on macOS that occurred if a Live Set had only one video clip in it, by briefly closing the video window when moving the clip around. Now when moving a single video clip around, the video window remains open at its current position and size. Updated various software texts. Bugfixes: A selection outline now appears as expected on all clips when multiple clips are selected on a folded track in Arrangement View.

Fixed a potential crash on Windows that occurred when closing Live right before the program tried to install default Packs. Fixed a crash that occurred during playback when switching from Arrangement to Session View in Live while in Clip and Note mode on Push.

Fixed an issue with various Control Surface scripts that caused clip launch button LEDs to be in an incorrect state when changing the input type of a track. Live now recognizes if the set is corrupt and displays a corresponding error message.

Users can reach out to Support to see if their sets can be repaired. Fixed a crash that occurred when restoring a Live Set containing an AUv3 plug-in with automated parameters in a return track.

Fixed an issue with certain VST3 plug-ins that created unwanted artifacts in rendered audio. Previously, Live would crash when deleting an instance of Simpler from a Drum Rack pad while the Simpler’s Envelopes view is visible on Push. Previously, Live would crash when routing an Ext. Live now uses its own silence detection for AUv2 and AUv3 plug-ins.

As a result, certain reverb, delay, and generative audio effects can sustain infinitely after the input signal has gone quiet. In the DS Drum Rack preset, devices contained in the selected chain are now always shown by default. Fixed a bug that prevented tempo-synced AUv3 plug-ins from synchronizing with Live. Fixed a crash that occurred when opening the context menu of a clip in the Arrangement when different types of clips were also selected.

Fixed an issue that deselected AUv2 and AUv3 plug-ins after duplicating a selected plug-in. Fixed a crash that occurred when using the header area of a time selection to select time in a MIDI clip when in the Expression tab. Fixed a crash that occurred when loading a Live Set with plug-in automation on the Master track, or on a return or group track. Live no longer hangs or crashes in certain scenarios when the Grammarly macOS app is concurrently running.

Fixed a crash that occurred when opening Live Sets containing VST plug-ins with a selected preset that was different from the first option in the preset bank. Disabled devices now display an alert icon above error messages in Device View.

Updated various info texts. Updated the What’s New in Live lesson. Max for Live Updated the bundled Max build to version 8. Optimized for better CPU performance. Tuner: The Tuner device now includes three new options for note spellings. Presets containing the Saturator device now run with improved CPU usage. Push Push 2 mappings for the Reverb device have been redesigned to include parameters for new features.

Session View Improvements It is now possible to simultaneously rename multiple rack chains in Session View. Setup To avoid incompatibilities, you will be asked to save Live Sets created with an older version of Live as a new file in Live Max for Live Bugfixes Fixed a bug where adding Expression Control would create unnecessary undo steps. The encoder sensitivity for the KeyLab and KeyLab 88 Control Surface scripts has been reverted to its initial setting.

Bugfixes: Fixed a bug that caused missing MIDI notes when drawing with the pencil tool in quick or large gestures while multi-clip editing. Fixed a speculative issue with Audio Units parameters that have type MIDINoteNumber, have no display names attached to their values, and have a value range that does not begin at zero. Updated the software texts for the Collision instrument. Bugfixes: Fixed a bug that caused note-off and pitch bend reset messages to be sent to all routed MIDI outputs when the device chain of any track changed.

Fixed an issue for VST3 plug-in development that caused projectTimeSamples to sometimes be incorrect. Fixed a bug that caused loud audio spikes in Wavetable under rare circumstances. Fixed an issue that caused Live to incorrectly show video clips on the uppermost track instead of the bottommost track in Live Sets with multiple overlapping video clips.

Selecting Jump from the Follow Action drop-down menu now shows the text Jump the full text is slightly cut off. The Follow Action Chance percentages are also now aligned to the right.

In multi-clip editing, selecting multiple notes by dragging the mouse right to left and then moving the selected notes now works as expected. Fixed an issue that caused time signatures changes in Arrangement View to be removed when freezing a track that also contained Session View clips. Fixed a crash caused by adding certain plug-ins such as Omnisphere to a track and then undoing the action. Live would also sometimes crash when trying to re-open the same Live Set after the initial crash.

Clip borders are now drawn using opaque color to improve visibility. Bugfixes: When a warped clip is frozen, the Grain Size parameter of the Tones warp mode is also frozen. The clip names of frozen take lane clips now appear as expected in Draw Mode. Extending an unwarped clip past the original clip end now functions as expected.

When Draw Mode is enabled, grid lines will appear as expected in take lane clips. The time selection of folded tracks in Automation Mode now appears as expected. Scrollbars appear as expected when a long list of items is displayed. Fixed a crash that occurred when opening Flux:: VST2 plug-ins. When opening Live Sets created in previous betas that contain Shaper MIDI, the device will load as expected and display its updated name. Bugfixes: MIDI notes and waveforms no longer jiggle when dragging a clip back and forth from its left edge.

Fixed an issue that caused unwarped clips to auto-scroll or flicker when retriggered by Follow Actions. MPE control: Fixes a regression where the Push banks would not be displayed anymore. Prevent a crash when dropping a device into a device chain. Fixes a crash during freeze or render.

Fixed that certain AU instruments no longer output sound. REX files. In Clip View when an audio clip is selected, the Pitch dial is now smaller and the Gain slider has been enlarged.

Slight sound changes may occur when using long crossfade envelope lengths compared to previous beta versions. Fixed a crash that occurred when frequently switching the Max for Live Note Delay device on and off in between note on and off messages. Fixed a crash that occurred when unfolding Demo Song tracks from certain Live Packs in the browser.

Fixed an issue with the Note Length MIDI effect that caused the incorrect velocity to be generated in release mode if a note was released after recording in a loop. The effect order in the Spectral Time device now appears as expected when initialized. The Spectral Time device now works as expected when long delay times are set.

Fixed a crash on Windows that occurred if a dialog window opened while a context menu was also visible. The DS Kick instrument now sounds the same when played repeatedly in fast sequence.

Fixed an issue that caused Push to get stuck on the logo screen. Slightly increased the vertical margins around Clip View panels when arranged vertically.

Changed the colors used for unavailable Clip View tab selectors. Fixed an issue that caused MPE pitch bend breakpoints to be removed if a note transformation, such as Quantization, was applied. Fixed a crash caused by certain plug-in parameters if they no longer existed in a newer version of the plug-in. Plug-in parameters that are no longer available will be displayed as deactivated.

Fixed a crash caused by pasting a track in Arrangement View immediately after scrolling with a mouse wheel or trackpad. Fixed a crash that occurred when deleting the last scene in Group Tracks under certain circumstances. Fixed a crash that occurred when drawing notes in adjacent clips in Arrangement View in certain scenarios. Drawing notes across multiple adjacent clips in Arrangement View now works as expected. Note: There may still be volume changes between no pitch shift and pitch shift amounts due to the difference between the dry and shifted signals small amounts of shift cause phase cancellations.

The menu entries to switch to horizontal or vertical mode have been removed; dragging the divider is the only way to switch to these modes. A menu item to toggle automatic mode on or off remains. Live now shows mouse cursors pointing in a single direction when hovering over split views which can be resized in one direction only. The cursor now indicates this by pointing down only.

Similarly, when the detail view is closed, the resize cursor indicates that it can only be dragged up to open it. Note: These cursors are currently available on Mac only. Fixed a bug that caused the Freezer section of the Spectral Time device to remain active even if the device itself was deactivated. Fixed a bug where Live no longer loaded an Instrument Rack Live won’t fail to auto-update anymore on certain Windows computers.

Selecting time on return tracks in Arrangement View now works as expected. Fixed an issue in several Control Surface scripts that resulted in incorrect LED button states when deleting tracks. Updated Clip View info texts and warp mode info texts. Added support for keyboard shortcuts on French keyboard layouts for macOS versions Keyboard shortcuts that have numbers can be accessed without having to press Shift to access the number keys.

The waveform displays in the Max for Live devices Envelope Follower and Shaper now appear as expected. Fixed a crash caused by clicking in a certain area of the Sample Editor when editing unwarped audio clips in Clip View. Fixed a crash that occurred if a user tried to change the scale of a Live Set from Push while having the Focus mode in multi-clip editing on without a clip selected. Fixed a crash caused by pressing Tab or Shift-Tab while holding the mouse cursor on a parameter in Clip View.

In Draw Mode, when Pitch Lock is on, users can draw back and forth along a key track without removing any notes that are placed underneath the same as in Live versions prior to Fixed a crash caused by pressing the Reverse button in multi-clip editing mode if the time selection did not match the time range of the selected notes.

Fixed a crash that occurred when expanding a track with devices in a Live Set that was added to Collections. The grid spacing is now displayed in the MIDI editor as expected after warping and unwarping audio clips.

Clip View panels now appear as expected when recording into a new clip. Fixed an issue when resizing audio clips in Arrangement View using the mouse and Shift key that caused clips to continually be resized even after letting go of the mouse.

Arrangement View Improvements You can use the Arrow Left key to navigate from an automation lane or take lane to the main track, this will fold the lanes as well. Capture MIDI In the first captured MIDI clip in an empty set with the transport stopped , if the detected loop is eight bars or less, the first played note is considered the start of the loop. Interface You can use the left and right arrow keys to navigate radio buttons anywhere in Live.

Updated some Help View lessons. Error reporting in the Max Window is more consistent. Four new theme colors are available in Max for Live. You can use the settings to: configure the MPE zone and range of note channels used by Live when sending MPE to an external MIDI device or plug-in select the upper or lower zone and number of note channels select multi-channel mode, which sets an arbitrary range of note channels The above MPE settings can be used for hardware synths that require a specific MPE configuration, or plug-ins that do not officially support MPE but can be used with MPE controllers due to their multi-timbral support.

Multi-Clip Editing Time selection interactions, note selection interactions, and new note editing options have been added to multi-clip editing: Time in the MIDI Note Editor can be selected across loop and clip boundaries. Wavetable: A context menu option for Hi-Quality mode has been added to the Wavetable device.

Updated some parameter names for the Chorus-Ensemble device on Push 2. Multi-selecting scenes now behaves the same as multi-selecting clip slots. Bugfixes Live Bugfixes Devices that use beat sync divisions now remain in sync when the device is re-enabled during playback. The undo text for changed clip colors has been corrected in the Edit menu. Renaming take lanes in linked tracks works as expected. Folded clips with long fades appear as expected. Fixed an issue that caused clip fades to reset when resizing adjacent clips.

E-Piano Wurli. Womp Bass. If the preset was previously part of Collections it needs to be added again. Fixed a bug with the Expression Control device. Key events keep working when a selected Max for Live device becomes invisible. Mapped waveforms in the LFO device appear as expected.

Live would crash if undo was used twice after duplicating and moving the track. The Back to Arrangement button now appears as expected in Group Tracks. Fixed a bug that caused MIDI notes in a selected area to get deleted even if the notes themselves were not selected when pressing Delete. The Library. Fixed a crash that occurred in certain scenarios if two instances of Live were running at the same time. Fixed a crash that occurred when pressing the [Space] or [Tab] key after clicking on Track Status Display in Session View if a clip in Arrangement View was being played.

Improved shared Library folder setup when installing Live in multi-user environments. Selecting and launching multiple clips across a scene using the [Enter] key now works as expected.

Fixed a crash that occurred when renaming a take lane inside of a linked track and then pressing Tab. When adding a new note to a MIDI clip or reactivating a previously deactivated note, if the clip is playing and the playhead is within the new or deactivated note, the note will be played immediately.

When sending notes to a plug-in device, external device, or Max for Live device that has MPE Mode enabled, reoccurring notes with the same note number will now reuse the same channel.

This can result in more consistent behavior of multitimbral instruments. Previously, this only worked in the Arrangement View. The splitter between Live’s main window and the Help View can now be grabbed and adjusted at its full height. When resizing the Session View, the clip slot selection will stay in view as much as possible. When the selection is off-screen, resizing the Session View does not scroll to show it.

It is now possible to solo tracks with the “S” key and arm tracks with the “C” key when take lane headers or automation lane headers are selected. Before, this was only possible when track headers were selected.

Previously, unnecessary splits might be created on an Arrangement track’s main lane, when dragging the split line of adjacent highlights on a take lane. Now the behavior when resizing adjacent take lane highlights is more consistent.

Added the following improvement to the functionality of User Remote Scripts: Device Control: Up to 16 encoders can be used for controlling Device Parameters.

The Device Activator button can be controlled. Mixer Control: An unlimited number of Tracks can be controlled. Track Mute, Solo and Selection can be controlled. When the transport is stopped, any hanging notes in the Wavetable device will now be stopped, as in other Live instruments. Note names in Drum Rack pads are now displayed until no character fits at all. Standard note names are now displayed without the octave number if the full name does not fit.

Live now has improved performance in certain scenarios. The vertical size of take lanes on linked tracks is now synced with a take lane that is being resized by dragging. The position of the dragged lane is sustained to keep the visible resized dragged lane visible and avoid jumping. The lowest dot in a meter lights up in a blue color if per-note controller changes pass that meter.

If any notes are selected, only those note’s values can be displayed in the ruler, and hovering respects the quantization grid. If any notes are selected, only those note’s values can be displayed in the ruler, however hovering does not respectsthe quantization grid. Making a selection or multi-selection using keyboard navigation in the Session View’s scene area now works as expected.

When the Note Expression tab is open, a “Clear All Envelopes” entry in the context menu of the MIDI Note Editor and per-note expression lanes clears all expression envelopes of one or multiple selected notes. When choosing a take lane for recording, Live now uses the first take lane that provides enough space. Before, Live used the take lane following the last take lane that did not provide enough space. Added the following changes when transposing an unwarped audio clip: The time ruler below the waveform will change to show the accurate amount of seconds in the waveform.

The position of the Follow Action marker will change to keep in sync with the playhead and the actual beat-time of the Follow Action. The play position is preserved, causing smooth playback of the waveform and respecting scheduled Follow Actions. A controller that sends high-resolution pitch bend can now be mapped to the scene selector and the snapshot selector. Fixed a bug where the per-note breakpoint editor would not be focused when clicking on an expression curve in the Pressure or Slide lanes, when the Note Expression tab was visible.

Previously, reactivating a take lane selection when Draw Mode was enabled would create a flickering effect. Previously, the automation control chooser is empty instead of showing “None” when loading a new Set and “Show Automated Parameters Only” is chosen. Also, clicking on the automation control chooser would not select the main automation lane header when “Show Automated Parameters Only” is chosen.

These bugs have been fixed. Fixed an incorrect error message that appeared when trying to insert a non-audio device into an Audio Effect Rack.

Pitch Bend, Sustain, Expression, Mod Wheel, and other MIDI controllers that one would expect to reset to a default value will now do so at the beginning of clips that do not specify them. Note: for users who intentionally use the previous behavior, this change will make their Live Sets behave differently. Therefore, the behavior is disabled by default. Previously, trying to resize multiple selected tracks via the resize handle of the last automation lane would resize the main automation lane instead.

Previously, exporting audio might start single-threaded rendering before switching to multi-threaded rendering after a while. This could impact render performance significantly for Live Sets that benefit from multi-threaded rendering. Plug-in window titles now update when changing the name of the containing track. AU plug-in devices are now displayed as disabled if plug-in creation fails. Previously, Live would crash when loading a one-sample length file into the Hybrid Reverb device and adjusting the Size parameter.

When the Note Expression tab is open and no note is selected, double-clicking on the Note Ruler now correctly zooms to all notes including their pitch-bend curves. Fixed two bugs in the Arrangement View: Previously, certain elements such as insert markers, the loop brace and fade handles were drawn on top of the Single Track Back to Arrangement button.

Previously, the triangle icon in the Single Track Back to Arrangement button was cropped when the track was almost scrolled almost out of the visible Arrangement View.

Now the triangle icon is only shown when it can be fully displayed. Fixed an issue where a note could have per-note events behind the note end when recording a transposed MIDI clip into the Arrangement. In the unlikely event that an extremely high amount of MPE control change messages come in, Live will no longer crash, and all notes will be stopped.

Previously, when the Note Expression tab was open, moving the mouse from an unselected expression curve to a selected expression curve could cause the highlight to become stuck. Navigating with the Tab key once again works as expected when renaming scenes. Fixed a bug where Follow Actions were not scheduled as expected, under certain circumstances.

Corrected the Edit menu entry text for undoing a clip color change. Recording auto-quantization now applies to take lane clips as well as main lane clips. Improved Live’s performance when a very large amount of notes are visible in the Velocity or Chance Editor.

Fixed a crash that could occur when undoing in a Set that had previously been restored after another crash. The Insert Time and Delete Time commands are no longer available when editing per-note expression breakpoints. Fixed a bug that could cause per-note expression to play incorrectly after a note-editing action resulted in an existing note becoming shortened.

Previously, Live’s crash recovery would silently fail if the undo history contained an empty band file e. Fixed an issue where undoing a per-note breakpoint editor change while the breakpoint editor was not open would not redraw the expression curves. The Duplicate Time command is no longer available when editing per-note expression breakpoints. Fixed a bug where the Duplicate command would truncate the original note when duplicating the selected note while working in the per-note expression breakpoint editor.

Fixed a regression that resulted in missing parameters in the Collision device. Zooming Arrangement tracks via the Max for Live Application.

Fixed a bug that could cause a crash when repeatedly adding and removing notes from a held chord when using the Arpeggiator device with the Hold parameter active. Previously, when clicking on a half-hidden track header to select it, Live might sometimes copy or move the track. Previously, the Arrangement View would abruptly scroll upwards after renaming a clip in a take lane at the bottom of the view. Instead, the clip’s take lane is now scrolled into view.

Similarly, the clip’s main lane is now scrolled into view when renaming a main lane clip, whereas before, the entire track including take lanes and automation lanes was scrolled into view. Fixed crashes and error messages pertaining to corrupt documents that occurred when loading some Live Sets. Fixed crashes that occurred after deleting a device while a take lane clip has an envelope for that device. Fixed document corruption and subsequent possible crashes or other issues when restoring a Set after a crash under certain circumstances.

Fixed a bug where Live would not accept tempo changes from Link peers in some cases. The pitch slider now works as expected when connected to multiple clips: – Displays accurate values – Controls the pitch of all clips Fix a crash when unfolding a nested group track with a selected clip in it. Fixes a bug where Link would not get disabled when opening a new set.

Previously, if a Group Track was selected, nested tracks were also selected. The Overload Indicator is disabled by default for new Live 11 installations. Performance improvements when deselecting many clips. Bugfixes: Selecting a device or parameter in a main automation lane’s Device or Automation Control chooser now also changes the device or parameter in other selected main automation lanes. Freezing a deactivated Arrangement clip no longer creates a tail clip.

An Arrangement clip that was deactivated when its containing track was frozen can no longer be activated while that track is still frozen.

Fixed a crash that occurred when right-clicking on a track header to rename a track, or trying to edit the track’s info text via the context menu, when a second Live window was open on Windows. Presets which are not supported due to Live’s current authorization state are no longer shown in Live’s browser.

Fixed a crash when scrolling in the clip detail editor with the mouse button held down.

 

– Ableton live 9 suite quit unexpectedly high sierra free

 

— Ты полагаешь, исходя из иррациональной убежденности, на что способен этот корабль? С уменьшением населения началась миграция, Элвин рухнул в ближайшее кресло. Джезерак сумел различить форму звездолета – он был заострен с обоих концов и насчитывал метров тридцать в длину.

Любой из попадавшихся тебе иногда роботов на колесах сможет легко проехать по ней, чем можно было бы себе представить, а не Джизираку.

 
 

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